1736-1813
Swiss painter, active in Germany. He was a pupil of Johann Ulrich Schellenburg (1709-95) in Winterthur and continued his training with Johann Jakob Haid in Augsburg between 1756 and 1765. He worked for the court painter Leonhard Schneider (1716-62) in Ansbach from 1757 to 1759, producing large numbers of copies of a portrait of Frederick the Great (probably by Antoine Pesne). This was an important step in furthering his career, as were the months he spent in Regensburg (1764-5) painting miniatures of clerics and town councillors. He was court painter to the Elector Frederick-Christian of Saxe-Weimar in Dresden from 1766 and taught at the Hochschule der Bildende K?nste there. In 1771 he travelled to Berlin, where he painted portraits of Jakob Mendelssohn, Gotthold Ephraim Lessing and J. G. Sulzer. Sulzer introduced him at court, which resulted in many commissions. He was invited several times to teach at the Akademie der K?nste in Berlin, but he remained in Dresden. He often travelled to Leipzig, and in summer he frequently went to Teplitz (now Teplice, Czech Republic) and Karlsbad Related Paintings of Anton Graff :. | Portrat des Erbprinzen Heinrich XIII | Portrait of Elizabeth P. Divova | Portrat des Erbprinzen Heinrich XIII. | Self-Portrait at the Age of 58 | Queen Elisabeth Christine in Widows Weeds | Related Artists:
William Charles RossEnglish Miniature Painter, 1794-1860
was a British painter. Early in his career, he was known for historical paintings, but he later gained fame for his miniatures and portraits. He was made a member of the Royal Academy in 1842.
COCK, Paul deFlemish painter (1724-1801).
Marquet, AlbertFrench Fauvist Painter, 1875-1947
.French painter and draughtsman. In 1890 he was taken by his family to live in Paris so that he could study drawing at the Ecole Nationale Superieure des Arts Decoratifs. There he met Henri Matisse, with whom he formed a lasting friendship and with whom he studied from 1894 to 1898 at the Ecole des Beaux-Arts under Gustave Moreau. In the Louvre, Marquet made copies after Poussin, Velezquez, Claude Lorrain and particularly Chardin, of whose House of Cards he produced copies in 1894 and 1904